TY - CHAP
T1 - “Climb!” – A Composition Case Study
T2 - Actualizing and Replicating Virtual Spaces in Classical Music Composition and Performance
AU - Kallionpaa, Maria
AU - Gasselseder, Hans-Peter
PY - 2019
Y1 - 2019
N2 - Space is an essential part of any musical performance: it can refer to the spatial dimensions of a musical composition, the acoustic room in which the performance takes place, as well as to the physical space in which the performer operates. These vary within every performance depending on, for example, the acoustics of the concert hall, the instrumentation, the qualities of the concert instrument, or the technologies used. Today´s electroacoustic repertoires frequently contain manipulation of (either physical or virtual) space or acoustic qualities, which sets new requirements to the capabilities of the performers. This leads to a question what these requirements may be and how can the performers and composers best deal with them? Can the space itself form part of the structure of a composition and/or performance? This chapter explores the topic through a composition case study “Climb!” from the perspective of a composer-performer.
AB - Space is an essential part of any musical performance: it can refer to the spatial dimensions of a musical composition, the acoustic room in which the performance takes place, as well as to the physical space in which the performer operates. These vary within every performance depending on, for example, the acoustics of the concert hall, the instrumentation, the qualities of the concert instrument, or the technologies used. Today´s electroacoustic repertoires frequently contain manipulation of (either physical or virtual) space or acoustic qualities, which sets new requirements to the capabilities of the performers. This leads to a question what these requirements may be and how can the performers and composers best deal with them? Can the space itself form part of the structure of a composition and/or performance? This chapter explores the topic through a composition case study “Climb!” from the perspective of a composer-performer.
KW - Electroacoustic music, interactive systems, space, musical performance, composition
U2 - 10.4324/9781315106342
DO - 10.4324/9781315106342
M3 - Book chapter
T3 - Foundations in Sound Design
BT - Foundations in Sound Design for Interactive Media
A2 - Filimowicz, Michael
PB - Routledge
ER -