Abstract
Traditionally, Scandinavian TV crime fiction has been regarded as a public arena for critical exhibition of and debate about salient features in contemporary social development. To explain the acknowledged impact of this kind of crime fiction, it is necessary to involve the notions of emotion and gender in combination with the mixing of genres, as especially the thriller and the melodrama have invaded the police procedural. This is demonstrated in an analysis of The Killing.
| Bidragets oversatte titel | Emotion, køn og genre i Forbrydelsen |
|---|---|
| Originalsprog | Engelsk |
| Tidsskrift | Nordic Journal of Media Studies |
| Vol/bind | 9 |
| Udgave nummer | 1 |
| Sider (fra-til) | 111-125 |
| Antal sider | 15 |
| ISSN | 1601-829X |
| DOI | |
| Status | Udgivet - 2011 |
Emneord
- crime tv-fiction
- The Killing
- emotion
- gender and genre