Abstract
This paper is based on a research project-in-progress investigating curatorial practice as methodology for creating responsive interfaces to sound art practices. Sound art is a transdisciplinary practice. As such, it creates new domains that may be used for redesign-purposes. Not only do experiences of sound alter; the way we listen to sound is transforming as well. Thus, the paper analyses and discusses two responsive sound interfaces and claim that curating as a transdisciplinary practice may frame what is termed in the paper as a domain-game redesigning the way the audience listens to and uses sound.
Originalsprog | Engelsk |
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Titel | Proceedings of the 9th Audio Mostly : A Conference on Interaction With Sound |
Redaktører | Mark Grimshaw |
Antal sider | 6 |
Udgivelsessted | New York |
Forlag | Association for Computing Machinery |
Publikationsdato | 30 sep. 2014 |
Artikelnummer | 25 |
ISBN (Elektronisk) | 978-1-4503-3032-9 |
DOI | |
Status | Udgivet - 30 sep. 2014 |
Begivenhed | Audio Mostly 2014 - Musikkens Hus, Aalborg, Danmark Varighed: 1 okt. 2014 → 3 okt. 2014 Konferencens nummer: 9 |
Konference
Konference | Audio Mostly 2014 |
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Nummer | 9 |
Lokation | Musikkens Hus |
Land/Område | Danmark |
By | Aalborg |
Periode | 01/10/2014 → 03/10/2014 |
Navn | ACM International Conference Proceedings Series |
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Nummer | 955 |
Vol/bind | 9 |