Who Needs Religion When You Have The Desert? A psychological investigation into the trope of the desert

In my paper I propose to read so-called ‘post-ironic’ texts by authors associated with the Blank Generation and Generation X (including Bret Easton Ellis and Douglas Coupland, as well as less well-known authors such as K.S. Haddock) and examine their use of the desert as a trope for identity testing and summation. Perhaps surprisingly, one finds in novels such as Ellis’ Less Than Zero (1984) and Coupland’s Generation X (1991) a reliance on desert locations to provide an alternative to the numerous non-places (in Marc Augé’s sense of the term) that otherwise make up the setting of these works.