Abstract
Motivation and strategies for affecting electronic music through physical gestures are presented and discussed. Two implementations are presented and experience with
their use in performance is reported. A concept of sound shaping and sound colouring that connects an instrumental performer’s playing and gesturest to sound synthesis is
used. The results and future possibilities are discussed.
their use in performance is reported. A concept of sound shaping and sound colouring that connects an instrumental performer’s playing and gesturest to sound synthesis is
used. The results and future possibilities are discussed.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of the International Computer Music Conference 2006 |
| Number of pages | 1 |
| Publisher | Tulane University |
| Publication date | 2006 |
| Pages | 45- |
| Publication status | Published - 2006 |
| Event | International Computer Music Conference 2006 (ICMC 2006) - New Orleans, United States Duration: 6 Nov 2006 → 11 Nov 2006 |
Conference
| Conference | International Computer Music Conference 2006 (ICMC 2006) |
|---|---|
| Country/Territory | United States |
| City | New Orleans |
| Period | 06/11/2006 → 11/11/2006 |