Abstract
Thanks to the development of new technology, musical instruments are no more tied to their existing acoustic or technical limitations as almost all parameters can be augmented or modified in real time. An increasing number of composers, performers, and computer programmers have thus become interested in different ways of "supersizing" acoustic instruments in order to open up previously-unheard instrumental sounds. This leads us to the question of what constitutes a super instrument and what challenges does it pose aesthetically and technically? Although the classical music performers have traditionally been dependent on their existing instrumental skills, various technological solutions can be used to reach beyond them. This paper focuses on the possibilities of enhancing composers' and performing pianists' technical and expressive vocabulary in the context of electroacoustic super instrument compositions. The discussion will be illustrated by two compositional case studies.
Original language | English |
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Title of host publication | AM '15 Proceedings of the Audio Mostly 2015 on Interaction With Sound |
Number of pages | 8 |
Publisher | Association for Computing Machinery |
Publication date | 2015 |
Article number | 20 |
ISBN (Print) | 978-1-4503-3896-7 |
DOIs | |
Publication status | Published - 2015 |
Event | 10th Audio Mostly - A Conference on Interaction with Sound, AM 2015 - Thessaloniki, Greece Duration: 7 Oct 2015 → 9 Oct 2015 |
Conference
Conference | 10th Audio Mostly - A Conference on Interaction with Sound, AM 2015 |
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Country/Territory | Greece |
City | Thessaloniki |
Period | 07/10/2015 → 09/10/2015 |
Keywords
- Super Instruments
- Composition
- Electroacoustic Music
- Piano
- Instrumental Techniques