Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive Capabilities

Maria Kallionpää, Hans-Peter Gasselseder

Research output: Contribution to book/anthology/report/conference proceedingArticle in proceedingResearchpeer-review

1 Citation (Scopus)

Abstract

Thanks to the development of new technology, musical instruments are no more tied to their existing acoustic or technical limitations as almost all parameters can be augmented or modified in real time. An increasing number of composers, performers, and computer programmers have thus become interested in different ways of "supersizing" acoustic instruments in order to open up previously-unheard instrumental sounds. This leads us to the question of what constitutes a super instrument and what challenges does it pose aesthetically and technically? Although the classical music performers have traditionally been dependent on their existing instrumental skills, various technological solutions can be used to reach beyond them. This paper focuses on the possibilities of enhancing composers' and performing pianists' technical and expressive vocabulary in the context of electroacoustic super instrument compositions. The discussion will be illustrated by two compositional case studies.
Original languageEnglish
Title of host publicationAM '15 Proceedings of the Audio Mostly 2015 on Interaction With Sound
Number of pages8
PublisherAssociation for Computing Machinery
Publication date2015
Article number20
ISBN (Print)978-1-4503-3896-7
DOIs
Publication statusPublished - 2015
Event10th Audio Mostly - A Conference on Interaction with Sound, AM 2015 - Thessaloniki, Greece
Duration: 7 Oct 20159 Oct 2015

Conference

Conference10th Audio Mostly - A Conference on Interaction with Sound, AM 2015
Country/TerritoryGreece
CityThessaloniki
Period07/10/201509/10/2015

Keywords

  • Super Instruments
  • Composition
  • Electroacoustic Music
  • Piano
  • Instrumental Techniques

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