Concerted Creativity in the Digital Age: How do we Crack the Code…?

Dan Lund Hvidtfeldt Larsen, Lene Tanggaard Pedersen

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2 Citationer (Scopus)

Abstrakt

The purpose of the present article is to contribute to the development of a socio-material, situated conceptualization of creativity, in exploring music making as it becomes meaningful in performative emergence processes of the digital age. It uses the creative practices of musicians to analyse and discuss the qualities of ‘digital materials’ in a creative setting, today very often playing a critical role in the production and performance of music. Methodologically, the analysis is based on interviews with professional musicians performing at Roskilde Festival and observations inspired by the autoethnographic approach. The study concludes that creative musical emergence in performance situations of the digital age depends on an openness towards a fragility, imperilling the situation and ‘cracking’ the digital materiality.

OriginalsprogEngelsk
TidsskriftIntegrative Psychological & Behavioral Science
Vol/bind52
Udgave nummer4
Sider (fra-til)630-645
Antal sider16
ISSN1932-4502
DOI
StatusUdgivet - 1 dec. 2018

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