Abstrakt
In this paper we adopt the theory of force dynamics in human cognition as a fundamental design principle for the development of mid-air musical interfaces. We argue that this principle can provide more intuitive user experiences when the interface does not provide direct haptic feedback – such as interfaces made with various gesture-tracking technologies. Grounded in five concepts from the theoretical literature on force dynamics in musical cognition, the paper presents a set of principles for interaction design focused on five force schemas: Path restraint, Containment restraint, Counter-force, Attraction, and Compulsion. We describe an initial set of examples that implement these principles using a Leap Motion sensor for gesture tracking and SuperCollider for interactive audio design. Finally, the paper presents a pilot experiment that provides initial ratings of intuitiveness in the user experience.
Originalsprog | Engelsk |
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Titel | Proceedings of the International Conference on New Interfaces for Musical Expression |
Antal sider | 6 |
Udgivelsessted | Birmingham City University |
Publikationsdato | 2020 |
Sider | 361-366 |
Status | Udgivet - 2020 |
Begivenhed | International Conference on New Interfaces for Musical Expression - Royal Birmingham Conservatoire, Birmingham City University, Birmingham, Storbritannien Varighed: 21 jul. 2020 → 25 jul. 2020 Konferencens nummer: 2020 https://nime2020.bcu.ac.uk/ |
Konference
Konference | International Conference on New Interfaces for Musical Expression |
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Nummer | 2020 |
Lokation | Royal Birmingham Conservatoire, Birmingham City University |
Land/Område | Storbritannien |
By | Birmingham |
Periode | 21/07/2020 → 25/07/2020 |
Internetadresse |
Navn | NIME Proceedings |
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ISSN | 2220-4806 |