Projekter pr. år
Abstract
In recent years, a significant body of research has focused on developing algorithms for computing analyses of mu- sical works automatically from encodings of these works' surfaces [3,4,7,10,11]. The quality of the output of such analysis algorithms is typically evaluated by comparing it with a “ground truth” analysis of the same music pro- duced by a human expert (see, in particular, [5]).
In this paper, we explore the problem of generating an encoding of the musical surface of a work automatically from a systematic encoding of an analysis. The ability to do this depends on one having an effective (i.e., comput- able), correct and complete description of some aspect of the structure of the music. Generating the surface struc- ture of a piece from an analysis in this manner serves as a proof of the analysis' correctness, effectiveness and com- pleteness.
We present a reductive analysis of Sheer Pluck (1984), a twelve-tone composition for guitar by Milton Babbitt (1916–2011). This analysis focuses on the all-partition array structure on which the piece is based. Having pre- sented this analysis, we formalize some constraints on the structure of the piece and explore some computational difficulties in automating the generation of the all- partition array structure.
In this paper, we explore the problem of generating an encoding of the musical surface of a work automatically from a systematic encoding of an analysis. The ability to do this depends on one having an effective (i.e., comput- able), correct and complete description of some aspect of the structure of the music. Generating the surface struc- ture of a piece from an analysis in this manner serves as a proof of the analysis' correctness, effectiveness and com- pleteness.
We present a reductive analysis of Sheer Pluck (1984), a twelve-tone composition for guitar by Milton Babbitt (1916–2011). This analysis focuses on the all-partition array structure on which the piece is based. Having pre- sented this analysis, we formalize some constraints on the structure of the piece and explore some computational difficulties in automating the generation of the all- partition array structure.
Originalsprog | Engelsk |
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Publikationsdato | 2014 |
Antal sider | 4 |
Status | Udgivet - 2014 |
Begivenhed | The Music Encoding Conference - University of Virginia, Charlottesville, VA, USA Varighed: 20 maj 2014 → 23 maj 2014 Konferencens nummer: 2 |
Konference
Konference | The Music Encoding Conference |
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Nummer | 2 |
Lokation | University of Virginia |
Land/Område | USA |
By | Charlottesville, VA |
Periode | 20/05/2014 → 23/05/2014 |
Fingeraftryk
Dyk ned i forskningsemnerne om 'From analysis to surface: Generating the surface of Milton Babbitt's Sheer Pluck from a parsimonious encoding of an analysis of its pitch-class structure'. Sammen danner de et unikt fingeraftryk.Projekter
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Lrn2Cre8: Learning to Create
EU Seventh Framework Programme (FP7)
01/10/2013 → 30/09/2016
Projekter: Projekt › Forskning