Glocal Perspectives on Danish Television Drama: Co-producing commercial public service crime narratives

Publikation: Bidrag til bog/antologi/rapport/konference proceedingBidrag til bog/antologiForskningpeer review

Resumé

In the article, I argue that theories of transnationalism do not fully explain contemporary tendencies within television funding practices. Instead, I claim that the concept glocalization may contribute with perspectives that explain the co-existence of local, national, regional and global finances in television drama production. With Anne Marit Waade, I have documented that crime series has been a very important component in the international attention towards Danish television drama (Hansen and Waade 2017), while crime series has been dubbed ““natural” transnational cop stories” (Bondebjerg 2016, 5). Compared with for instance comedy series, the funding composition of crime series appear exceedingly glocal, and for that reason the perspective in this chapter focusses on television crime series. Based on interviews with key informants, I will use the two latest crime series from TV2, Greyzone (2018-) and Kriger (Warrior, 2018), as two examples of glocal television drama production.
OriginalsprogEngelsk
TitelDanish Television Drama : Global Lessons from a Small Nation
RedaktørerAnne Marit Waade, Pia Majbritt Jensen, Eva Novrup Redvall
ForlagPalgrave Macmillan
Publikationsdato2019
StatusAccepteret/In press - 2019
Navn Palgrave European Film and Media Studies

Fingerprint

drama
public service
television
offense
narrative
funding
glocalization
coexistence
finance
interview

Emneord

  • Glocalisation
  • television series
  • regionality

Citer dette

Hansen, K. T. (Accepteret/In press). Glocal Perspectives on Danish Television Drama: Co-producing commercial public service crime narratives . I A. M. Waade, P. Majbritt Jensen, & E. Novrup Redvall (red.), Danish Television Drama: Global Lessons from a Small Nation Palgrave Macmillan. Palgrave European Film and Media Studies
Hansen, Kim Toft. / Glocal Perspectives on Danish Television Drama : Co-producing commercial public service crime narratives . Danish Television Drama: Global Lessons from a Small Nation. red. / Anne Marit Waade ; Pia Majbritt Jensen ; Eva Novrup Redvall. Palgrave Macmillan, 2019. ( Palgrave European Film and Media Studies).
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abstract = "In the article, I argue that theories of transnationalism do not fully explain contemporary tendencies within television funding practices. Instead, I claim that the concept glocalization may contribute with perspectives that explain the co-existence of local, national, regional and global finances in television drama production. With Anne Marit Waade, I have documented that crime series has been a very important component in the international attention towards Danish television drama (Hansen and Waade 2017), while crime series has been dubbed ““natural” transnational cop stories” (Bondebjerg 2016, 5). Compared with for instance comedy series, the funding composition of crime series appear exceedingly glocal, and for that reason the perspective in this chapter focusses on television crime series. Based on interviews with key informants, I will use the two latest crime series from TV2, Greyzone (2018-) and Kriger (Warrior, 2018), as two examples of glocal television drama production.",
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Hansen, KT 2019, Glocal Perspectives on Danish Television Drama: Co-producing commercial public service crime narratives . i AM Waade, P Majbritt Jensen & E Novrup Redvall (red), Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan, Palgrave European Film and Media Studies.

Glocal Perspectives on Danish Television Drama : Co-producing commercial public service crime narratives . / Hansen, Kim Toft.

Danish Television Drama: Global Lessons from a Small Nation. red. / Anne Marit Waade; Pia Majbritt Jensen; Eva Novrup Redvall. Palgrave Macmillan, 2019.

Publikation: Bidrag til bog/antologi/rapport/konference proceedingBidrag til bog/antologiForskningpeer review

TY - CHAP

T1 - Glocal Perspectives on Danish Television Drama

T2 - Co-producing commercial public service crime narratives

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AB - In the article, I argue that theories of transnationalism do not fully explain contemporary tendencies within television funding practices. Instead, I claim that the concept glocalization may contribute with perspectives that explain the co-existence of local, national, regional and global finances in television drama production. With Anne Marit Waade, I have documented that crime series has been a very important component in the international attention towards Danish television drama (Hansen and Waade 2017), while crime series has been dubbed ““natural” transnational cop stories” (Bondebjerg 2016, 5). Compared with for instance comedy series, the funding composition of crime series appear exceedingly glocal, and for that reason the perspective in this chapter focusses on television crime series. Based on interviews with key informants, I will use the two latest crime series from TV2, Greyzone (2018-) and Kriger (Warrior, 2018), as two examples of glocal television drama production.

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KW - television funding

KW - SVOD

KW - production studies

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Hansen KT. Glocal Perspectives on Danish Television Drama: Co-producing commercial public service crime narratives . I Waade AM, Majbritt Jensen P, Novrup Redvall E, red., Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan. 2019. ( Palgrave European Film and Media Studies).