Glocal perspectives on Danish television series: Contemporary threats and opportunities for public service drama production

Publikation: Konferencebidrag uden forlag/tidsskriftPaper uden forlag/tidsskriftForskning

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Resumé

Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).
OriginalsprogEngelsk
Publikationsdato7 jun. 2018
Antal sider9
StatusUdgivet - 7 jun. 2018
BegivenhedTransnational television drama - Aarhus University, Aarhus, Danmark
Varighed: 6 jun. 20188 jun. 2018

Konference

KonferenceTransnational television drama
LokationAarhus University
LandDanmark
ByAarhus
Periode06/06/201808/06/2018

Emneord

  • Television studies
  • funding schemes
  • television drama
  • glocalisation

Citer dette

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title = "Glocal perspectives on Danish television series: Contemporary threats and opportunities for public service drama production",
abstract = "Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).",
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author = "Hansen, {Kim Toft}",
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Hansen, KT 2018, 'Glocal perspectives on Danish television series: Contemporary threats and opportunities for public service drama production' Paper fremlagt ved Transnational television drama, Aarhus, Danmark, 06/06/2018 - 08/06/2018, .

Glocal perspectives on Danish television series : Contemporary threats and opportunities for public service drama production. / Hansen, Kim Toft.

2018. Afhandling præsenteret på Transnational television drama, Aarhus, Danmark.

Publikation: Konferencebidrag uden forlag/tidsskriftPaper uden forlag/tidsskriftForskning

TY - CONF

T1 - Glocal perspectives on Danish television series

T2 - Contemporary threats and opportunities for public service drama production

AU - Hansen, Kim Toft

PY - 2018/6/7

Y1 - 2018/6/7

N2 - Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).

AB - Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).

KW - Television studies

KW - funding schemes

KW - television drama

KW - glocalisation

M3 - Paper without publisher/journal

ER -