This text analyses the project Home Works, an art progam which took place in 2015-17 in the neighbourhood of Hökarängen in the south of Stockholm. The argument of the article is that Home Works can be seen as a socio-material practice of producing the city differently. I thus propose that Home Works provides an example of how art projects hold a potential as methodologies for enacting versions of the city that connect to contemporary social struggles as well as to the right to the city. The text applies a pragmatist, ANT-inspired methodology and proposes that urban realities are enacted through practices and co-shaped by the spatial and architectural environment. The text is thus an intervention into an art discourse that has been preoccupied with defining socially engaged art as communicative (as a layer of reality that can be added or removed) and with a trend in urban studies which views temporary art projects as subservient to gentrification-driven urban restructurings.
|Status||Accepteret/In press - 1 mar. 2020|