Abstract
Each performance is based on a simulation context. What happens when the performance is comic? When the simulation itself is a rhetorical tool that we accept as given? To simulate the open simulation is the paradoxical target in each comedy.
| Bidragets oversatte titel | The comic simulation |
|---|---|
| Originalsprog | Italiensk |
| Tidsskrift | Porta di Massa. Laboratorio autogestito di filosofia |
| Udgave nummer | 2 |
| Sider (fra-til) | 37-39 |
| Antal sider | 3 |
| Status | Udgivet - 1996 |