Lydbavner

Publikation: Bidrag til bog/antologi/rapport/konference proceedingBidrag til bog/antologiForskningpeer review

Resumé

The chapter discusses expectations and imaginations vis-à-vis the concert hall of the twenty-first century. It outlines some of the central historical implications of western culture’s haven for sounding music. Based on the author’s study of the Icelandic concert-house Harpa, the chapter considers how these implications, together with the prime mover’s visions, have been transformed as private investors and politicians took over. The chapter furthermore investigates the objectives regarding musical sound and the far-reaching demands concerning acoustics that modern concert halls are required to deal with.
Bidragets oversatte titelLydbavner
OriginalsprogEngelsk
TitelThe Oxford Handbook of Sound & Imagination
Vol/bindHandbook of Sound & Imagination
ForlagOxford University Press
Publikationsdato2019
StatusAccepteret/In press - 2019

Fingeraftryk

Concert Hall
Sound
Investors
Western Culture
Acoustics
Icelandic
Concert
Politicians
Music

Emneord

  • concert hall, symphony music, acoustics, bourgeois culture, experience economy, hi-fi

Citer dette

Knakkergaard, M. (Accepteret/In press). Beacons of Sound. I The Oxford Handbook of Sound & Imagination (Bind Handbook of Sound & Imagination). Oxford University Press.
Knakkergaard, Martin. / Beacons of Sound. The Oxford Handbook of Sound & Imagination. Bind Handbook of Sound & Imagination Oxford University Press, 2019.
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Knakkergaard, M 2019, Beacons of Sound. i The Oxford Handbook of Sound & Imagination. bind Handbook of Sound & Imagination, Oxford University Press.

Beacons of Sound. / Knakkergaard, Martin.

The Oxford Handbook of Sound & Imagination. Bind Handbook of Sound & Imagination Oxford University Press, 2019.

Publikation: Bidrag til bog/antologi/rapport/konference proceedingBidrag til bog/antologiForskningpeer review

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AB - The chapter discusses expectations and imaginations vis-à-vis the concert hall of the twenty-first century. It outlines some of the central historical implications of western culture’s haven for sounding music. Based on the author’s study of the Icelandic concert-house Harpa, the chapter considers how these implications, together with the prime mover’s visions, have been transformed as private investors and politicians took over. The chapter furthermore investigates the objectives regarding musical sound and the far-reaching demands concerning acoustics that modern concert halls are required to deal with.

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Knakkergaard M. Beacons of Sound. I The Oxford Handbook of Sound & Imagination. Bind Handbook of Sound & Imagination. Oxford University Press. 2019