Abstract
Analyses a number of open works by Swiss composer Max E. Keller from the beginning of the seventies and provides a glmpse of later similar works. Notation and how it contributes to define the form is one of the themes for discussion.
Originalsprog | Tysk |
---|---|
Tidsskrift | Schweizer Musikzeitung |
Vol/bind | 20 |
Udgave nummer | 1/2 |
ISSN | 1422-4674 |
Status | Udgivet - 2016 |
Bibliografisk note
Publication took place in the internet extension of the journal (http://www.musikzeitung.ch/de/dossiers/personen/2017/Keller/fruehe-werke.html). This appears unavailable in 2023 - please use the present site instead.Emneord
- improvisierte musik
- musikalische analyse
- max eugen keller
- musikalisches material
- musikalische notation
- grafische notation
- improvisation (musik)