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Abstrakt

Analyses a number of open works by Swiss composer Max E. Keller from the beginning of the seventies and provides a glmpse of later similar works. Notation and how it contributes to define the form is one of the themes for discussion.
OriginalsprogTysk
TidsskriftSchweizer Musikzeitung
Vol/bind20
Udgave nummer1/2
ISSN1422-4674
StatusUdgivet - 2016

Bibliografisk note

Publication took place in the internet extension of the journal.

Emneord

  • improvisierte musik
  • musikalische analyse
  • max eugen keller
  • musikalisches material
  • musikalische notation
  • grafische notation
  • improvisation (musik)

Citationsformater