Resumé

This article investigates the relationship between instant architecture, art installations and the audience at Roskilde Festival, and it raises the question of how instant architecture, art installations and modes of social interaction can enhance the design of a genuine experience. It is based on analyses of a specific case, Roskilde Festival 2008 - 2012. The festival brands itself as an instant city with a specific atmosphere, ‘The Orange Feeling’, which is a very abstract term that encompasses the whole festival. The paper focuses on this term, and on important elements which constitute the environment and the conditions for the constructed situation in which this special atmosphere actually occurs.
The main approach to the analysis of the atmosphere is an investigation of how the audience engages with the instant architecture and the art installations. The article provides general conclusions on the specific atmosphere and on how the designs support this. It concludes that the culture of laughter is the atmospheric glue that keeps Roskilde Festival together, and it is the performative and relational designs together with the culture of laughter that create the basis for ‘The Orange Feeling’.
Bidragets oversatte titelOrange Feeling: Stemning og atmosfære på Roskilde Festival
OriginalsprogEngelsk
TidsskriftAmbiances
ISSN2266-839X
DOI
StatusUdgivet - 2017

Fingeraftryk

Mood
Atmosphere
Instant
Art Installation
Laughter
Social Interaction

Emneord

    Citer dette

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    title = "The Orange Feeling: Mood and Atmosphere in Roskilde Festival",
    abstract = "This article investigates the relationship between instant architecture, art installations and the audience at Roskilde Festival, and it raises the question of how instant architecture, art installations and modes of social interaction can enhance the design of a genuine experience. It is based on analyses of a specific case, Roskilde Festival 2008 - 2012. The festival brands itself as an instant city with a specific atmosphere, ‘The Orange Feeling’, which is a very abstract term that encompasses the whole festival. The paper focuses on this term, and on important elements which constitute the environment and the conditions for the constructed situation in which this special atmosphere actually occurs.The main approach to the analysis of the atmosphere is an investigation of how the audience engages with the instant architecture and the art installations. The article provides general conclusions on the specific atmosphere and on how the designs support this. It concludes that the culture of laughter is the atmospheric glue that keeps Roskilde Festival together, and it is the performative and relational designs together with the culture of laughter that create the basis for ‘The Orange Feeling’.",
    keywords = "Atmosphere, Experience, Cultural Planning, Culture of Laughter, Instant Architecture, Performance; Performative Urban Design, Relational Art.",
    author = "Hans Kiib and Kiib, {Birgitte Marling} and Jespersen, {Line Marie Bruun}",
    year = "2017",
    doi = "10.4000/ambiances.829",
    language = "English",
    journal = "Ambiances",
    issn = "2266-839X",
    publisher = "the International Ambiances Network",

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    The Orange Feeling : Mood and Atmosphere in Roskilde Festival. / Kiib, Hans; Kiib, Birgitte Marling; Jespersen, Line Marie Bruun.

    I: Ambiances, 2017.

    Publikation: Bidrag til tidsskriftTidsskriftartikelForskningpeer review

    TY - JOUR

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    T2 - Mood and Atmosphere in Roskilde Festival

    AU - Kiib, Hans

    AU - Kiib, Birgitte Marling

    AU - Jespersen, Line Marie Bruun

    PY - 2017

    Y1 - 2017

    N2 - This article investigates the relationship between instant architecture, art installations and the audience at Roskilde Festival, and it raises the question of how instant architecture, art installations and modes of social interaction can enhance the design of a genuine experience. It is based on analyses of a specific case, Roskilde Festival 2008 - 2012. The festival brands itself as an instant city with a specific atmosphere, ‘The Orange Feeling’, which is a very abstract term that encompasses the whole festival. The paper focuses on this term, and on important elements which constitute the environment and the conditions for the constructed situation in which this special atmosphere actually occurs.The main approach to the analysis of the atmosphere is an investigation of how the audience engages with the instant architecture and the art installations. The article provides general conclusions on the specific atmosphere and on how the designs support this. It concludes that the culture of laughter is the atmospheric glue that keeps Roskilde Festival together, and it is the performative and relational designs together with the culture of laughter that create the basis for ‘The Orange Feeling’.

    AB - This article investigates the relationship between instant architecture, art installations and the audience at Roskilde Festival, and it raises the question of how instant architecture, art installations and modes of social interaction can enhance the design of a genuine experience. It is based on analyses of a specific case, Roskilde Festival 2008 - 2012. The festival brands itself as an instant city with a specific atmosphere, ‘The Orange Feeling’, which is a very abstract term that encompasses the whole festival. The paper focuses on this term, and on important elements which constitute the environment and the conditions for the constructed situation in which this special atmosphere actually occurs.The main approach to the analysis of the atmosphere is an investigation of how the audience engages with the instant architecture and the art installations. The article provides general conclusions on the specific atmosphere and on how the designs support this. It concludes that the culture of laughter is the atmospheric glue that keeps Roskilde Festival together, and it is the performative and relational designs together with the culture of laughter that create the basis for ‘The Orange Feeling’.

    KW - Atmosphere, Experience, Cultural Planning, Culture of Laughter, Instant Architecture, Performance; Performative Urban Design, Relational Art.

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    DO - 10.4000/ambiances.829

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    SN - 2266-839X

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