Sonic Virtuality, Environment, and Presence

Publikation: Bidrag til bog/antologi/rapport/konference proceedingKonferenceartikel i proceedingForskningpeer review

Resumé

The article presents a brief introduction to the concept of sonic virtuality, a view of sound as a multi-modal, emergent perception that provides a framework that has since been used to provide an explanation of the formation of environments. Additionally, the article uses such concepts to explain the phenomenon of presence, not only in virtual worlds but also in actual worlds. The view put forward is that environment is an emergent perception, formed from the hypothetical modelling of salient worlds of sensory things, and it is in the environment that we feel present. The article ends with some thoughts on the use of biofeedback in computer games as part of the immersive technology designed to facilitate presence in such worlds.
OriginalsprogEngelsk
TitelConceiving Virtuality : From Art to Technology
RedaktørerJoaquim Braga
Antal sider13
Vol/bind11
ForlagSpringer Nature
Publikationsdato2019
Udgave1
Kapitel4
ISBN (Trykt)978-3-030-24750-8
ISBN (Elektronisk)978-3-030-24751-5
DOI
StatusUdgivet - 2019
NavnNumanities - Arts and Humanities in Progress
Nummer1
Vol/bind11
ISSN2510-442X

Fingerprint

Virtuality
Computer Games
Actual World
Virtual Worlds
Salient
Sound
Modeling

Citer dette

Grimshaw-Aagaard, M. (2019). Sonic Virtuality, Environment, and Presence. I J. Braga (red.), Conceiving Virtuality: From Art to Technology (1 udg., Bind 11). Springer Nature. Numanities - Arts and Humanities in Progress, Nr. 1, Bind. 11 https://doi.org/https://link.springer.com/chapter/10.1007/978-3-030-24751-5_4
Grimshaw-Aagaard, Mark. / Sonic Virtuality, Environment, and Presence. Conceiving Virtuality: From Art to Technology. red. / Joaquim Braga. Bind 11 1. udg. Springer Nature, 2019. (Numanities - Arts and Humanities in Progress; Nr. 1, Bind 11).
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Grimshaw-Aagaard, M 2019, Sonic Virtuality, Environment, and Presence. i J Braga (red.), Conceiving Virtuality: From Art to Technology. 1 udg, bind 11, Springer Nature, Numanities - Arts and Humanities in Progress, nr. 1, bind 11. https://doi.org/https://link.springer.com/chapter/10.1007/978-3-030-24751-5_4

Sonic Virtuality, Environment, and Presence. / Grimshaw-Aagaard, Mark.

Conceiving Virtuality: From Art to Technology. red. / Joaquim Braga. Bind 11 1. udg. Springer Nature, 2019. (Numanities - Arts and Humanities in Progress; Nr. 1, Bind 11).

Publikation: Bidrag til bog/antologi/rapport/konference proceedingKonferenceartikel i proceedingForskningpeer review

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Grimshaw-Aagaard M. Sonic Virtuality, Environment, and Presence. I Braga J, red., Conceiving Virtuality: From Art to Technology. 1 udg. Bind 11. Springer Nature. 2019. (Numanities - Arts and Humanities in Progress; Nr. 1, Bind 11). https://doi.org/https://link.springer.com/chapter/10.1007/978-3-030-24751-5_4