Abstract
This article proposes a framework for understanding and analysing how the passive audience of a media event turns into active stakeholders. The starting point is the cross-media content quadrant (Jensen and Vistisen, 2012), which shows how the producer’s control is distributed on social media platforms, while storytelling evolves around a tent-pole, for example, a bestseller or blockbuster. To further explain how the audience engages, a three-step rhetoric model largely based on Bitzer (1998) and Tolkien (1971) is developed and explained.
Originalsprog | Engelsk |
---|---|
Tidsskrift | Akademisk kvarter / Academic Quarter |
Vol/bind | 7 |
Sider (fra-til) | 237-248 |
Antal sider | 11 |
ISSN | 1904-0008 |
Status | Udgivet - 2013 |
Emneord
- cross media
- cross media content quadrant
- tent pole
- fan fiction
- transmedia
- transfiction
- remediation
- co-creation