The design of future music technologies: 'sounding out' AI, Immersive experiences & Brain controlled interfaces

Alan Chamberlain, Mads Bodker, Maria Kallionpää, Richard Ramchurn, David De Roure, Steve Benford, Alan Dix

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Abstract

This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies. Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.

OriginalsprogEngelsk
TitelAM'18 : Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion
ForlagAssociation for Computing Machinery
Publikationsdato12 sep. 2018
Artikelnummera39
ISBN (Elektronisk)9781450366090
DOI
StatusUdgivet - 12 sep. 2018
Begivenhed2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018 - Wrexham, Storbritannien
Varighed: 12 sep. 201814 sep. 2018

Konference

Konference2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018
Land/OmrådeStorbritannien
ByWrexham
Periode12/09/201814/09/2018
SponsorManchester Metropolitan University, Wrexham Glyndwr University
NavnAudio Mostly

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