The digital Intonarumori

Stefania Serafin; Amalia De Götzen; Smilen Dimitrov; Steven Gelineck; Cumhur Erkut; Niels Christian Nilsson; Francesco Grani; Rolf Nordahl; Stefano Trento

doi:10.1109/3DUI.2015.7131773

The digital Intonarumori

Stefania Serafin, Amalia De Götzen, Smilen Dimitrov, Steven Gelineck, Cumhur Erkut, Niels Christian Nilsson, Francesco Grani, Rolf Nordahl, Stefano Trento

Publikation: Bidrag til bog/antologi/rapport/konference proceeding › Konferenceartikel i proceeding › Forskning › peer review

1 Citationer (Scopus)

Abstract

We propose a reconstruction of Russolo's original Intonarumori instruments which uses modern physical and virtual prototyping techniques such as laser cutting, sensors technologies and sound synthesis algorithms. Compared to the original instruments by Russolo, the different sonorities are produced in software, instead of physically changing the material of the vibrating strings and wheels present inside the instrument. This approach provides flexibility while maintaining playing style, sonorities and physicality of the original instruments proposed by Russolo.

Originalsprog	Engelsk
Titel	IEEE Symposium on 3D User Interfaces (3DUI), 2015 : Proceedings
Antal sider	2
Forlag	IEEE Press
Publikationsdato	23 jun. 2015
Sider	207-208
Artikelnummer	7131773
ISBN (Trykt)	9781467368865
DOI	https://doi.org/10.1109/3DUI.2015.7131773
Status	Udgivet - 23 jun. 2015
Begivenhed	2015 10th IEEE Symposium on 3D User Interfaces, 3DUI 2015 - Arles, Frankrig Varighed: 23 mar. 2015 → 24 mar. 2015

Konference

Konference	2015 10th IEEE Symposium on 3D User Interfaces, 3DUI 2015
Land/Område	Frankrig
By	Arles
Periode	23/03/2015 → 24/03/2015

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10.1109/3DUI.2015.7131773

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Citationsformater

@inproceedings{c934ef6a72d14ff68a4c386db823beee,

title = "The digital Intonarumori",

abstract = "We propose a reconstruction of Russolo's original Intonarumori instruments which uses modern physical and virtual prototyping techniques such as laser cutting, sensors technologies and sound synthesis algorithms. Compared to the original instruments by Russolo, the different sonorities are produced in software, instead of physically changing the material of the vibrating strings and wheels present inside the instrument. This approach provides flexibility while maintaining playing style, sonorities and physicality of the original instruments proposed by Russolo.",

author = "Stefania Serafin and {De G{\"o}tzen}, Amalia and Smilen Dimitrov and Steven Gelineck and Cumhur Erkut and Nilsson, {Niels Christian} and Francesco Grani and Rolf Nordahl and Stefano Trento",

year = "2015",

month = jun,

day = "23",

doi = "10.1109/3DUI.2015.7131773",

language = "English",

isbn = "9781467368865",

pages = "207--208",

booktitle = "IEEE Symposium on 3D User Interfaces (3DUI), 2015",

publisher = "IEEE Press",

note = "2015 10th IEEE Symposium on 3D User Interfaces, 3DUI 2015 ; Conference date: 23-03-2015 Through 24-03-2015",

}

Serafin, S , De Götzen, A, Dimitrov, S, Gelineck, S, Erkut, C, Nilsson, NC, Grani, F, Nordahl, R & Trento, S 2015, The digital Intonarumori. i IEEE Symposium on 3D User Interfaces (3DUI), 2015: Proceedings., 7131773, IEEE Press, s. 207-208, 2015 10th IEEE Symposium on 3D User Interfaces, 3DUI 2015, Arles, Frankrig, 23/03/2015. https://doi.org/10.1109/3DUI.2015.7131773

TY - GEN

T1 - The digital Intonarumori

AU - Serafin, Stefania

AU - De Götzen, Amalia

AU - Dimitrov, Smilen

AU - Gelineck, Steven

AU - Erkut, Cumhur

AU - Nilsson, Niels Christian

AU - Grani, Francesco

AU - Nordahl, Rolf

AU - Trento, Stefano

PY - 2015/6/23

Y1 - 2015/6/23

N2 - We propose a reconstruction of Russolo's original Intonarumori instruments which uses modern physical and virtual prototyping techniques such as laser cutting, sensors technologies and sound synthesis algorithms. Compared to the original instruments by Russolo, the different sonorities are produced in software, instead of physically changing the material of the vibrating strings and wheels present inside the instrument. This approach provides flexibility while maintaining playing style, sonorities and physicality of the original instruments proposed by Russolo.

AB - We propose a reconstruction of Russolo's original Intonarumori instruments which uses modern physical and virtual prototyping techniques such as laser cutting, sensors technologies and sound synthesis algorithms. Compared to the original instruments by Russolo, the different sonorities are produced in software, instead of physically changing the material of the vibrating strings and wheels present inside the instrument. This approach provides flexibility while maintaining playing style, sonorities and physicality of the original instruments proposed by Russolo.

UR - http://www.scopus.com/inward/record.url?scp=84939137145&partnerID=8YFLogxK

U2 - 10.1109/3DUI.2015.7131773

DO - 10.1109/3DUI.2015.7131773

M3 - Article in proceeding

AN - SCOPUS:84939137145

SN - 9781467368865

SP - 207

EP - 208

BT - IEEE Symposium on 3D User Interfaces (3DUI), 2015

PB - IEEE Press

T2 - 2015 10th IEEE Symposium on 3D User Interfaces, 3DUI 2015

Y2 - 23 March 2015 through 24 March 2015

ER -

The digital Intonarumori

Abstract

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