Abstract
Designing a parameter mapping sonification (PMSon) involves defining a mapping function that determines how data variables affect audio signal parameters. The mapping function is represented using mathematical notation and/or characterized in terms of scaling, transfer function and polarity; both approaches manifest in software platforms for PMSon design. Math notation is not always directly relatable to complex design requirements, and
simple characterizations lack generality and may be ambiguous - both issues hamper mapping function design, conceptualization, and dissemination. We seek to address them through knowledge transfer from audio mixing, a mature craft with strong parallels
to PMSon design. For mixing, it was a versatile and universally applicable technological platform (the multitrack mixer) that supported the development of mixing technique, concepts, and recent formalizations thereof, laying the foundation for modern audio
production. We posit that a PMSon design platform that adapts the essential elements of the mixer can similarly reinforce PMSon by supporting a mapping function representation directly tied to the design process. We define the correspondence between mixing and PMSon design, outline specifics of mixer functionality adaptation, and demonstrate the resulting capabilities with our proof-ofprinciple platform Mix-N-Map that is currently pending user testing. We believe a general PMSon framework explicitly rooted in audio mixing can potentially advance theory and practice to the benefit of PMSon designers and users alike.
simple characterizations lack generality and may be ambiguous - both issues hamper mapping function design, conceptualization, and dissemination. We seek to address them through knowledge transfer from audio mixing, a mature craft with strong parallels
to PMSon design. For mixing, it was a versatile and universally applicable technological platform (the multitrack mixer) that supported the development of mixing technique, concepts, and recent formalizations thereof, laying the foundation for modern audio
production. We posit that a PMSon design platform that adapts the essential elements of the mixer can similarly reinforce PMSon by supporting a mapping function representation directly tied to the design process. We define the correspondence between mixing and PMSon design, outline specifics of mixer functionality adaptation, and demonstrate the resulting capabilities with our proof-ofprinciple platform Mix-N-Map that is currently pending user testing. We believe a general PMSon framework explicitly rooted in audio mixing can potentially advance theory and practice to the benefit of PMSon designers and users alike.
Original language | English |
---|---|
Title of host publication | The 29th International Conference for Auditory Display (ICAD 2024) |
Number of pages | 8 |
Publication date | Jun 2024 |
Publication status | Published - Jun 2024 |
Event | The 29th International Conference on Auditory Display (ICAD 2024) - Troy, United States Duration: 24 Jun 2024 → 28 Jun 2024 Conference number: 29 https://icad2024.icad.org/ |
Conference
Conference | The 29th International Conference on Auditory Display (ICAD 2024) |
---|---|
Number | 29 |
Country/Territory | United States |
City | Troy |
Period | 24/06/2024 → 28/06/2024 |
Internet address |
Fingerprint
Dive into the research topics of 'Adapting Audio Mixing Principles and Tools to Parameter Mapping Sonification Design'. Together they form a unique fingerprint.Prizes
-
Best Student Paper Award
Kantan, Prithvi Ravi (Recipient), Dahl, Sofia (Recipient) & Spaich, Erika G. (Recipient), 28 Jun 2024
Prize: Conference prizes