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Abstract
Researchers have increasingly explored the potential of interactive auditory guidance in navigation and spatial orientation tasks. Despite laboratory promise, the adoption of these applications in real-life remains limited, partly due to
the lack of aesthetic considerations in the design of auditory guidance stimuli, leading to auditory fatigue and low user acceptance. Although music has been suggested as a solution and tested in motor learning and rehabilitation, there is a lack of empirical research comparing its guidance efficacy with traditional nonmusical designs. Through a one-dimensional guidance task with 18 participants, the present study compared an array of novel musical strate-
gies with nonmusical strategies based on the same auditory perceptual dimensions. It was observed that the musical strategies elicited higher user experience ratings while affording comparable performance (error, acquisition time, overshoots) to the nonmusical strategies. There were also performance differences based on the auditory dimensions manipulated by the strategies (e.g. pitch, loudness). There is thus preliminary evidence that music warrants more serious consideration as a means to address the issues of pleasantness and user preference in auditory guidance.
the lack of aesthetic considerations in the design of auditory guidance stimuli, leading to auditory fatigue and low user acceptance. Although music has been suggested as a solution and tested in motor learning and rehabilitation, there is a lack of empirical research comparing its guidance efficacy with traditional nonmusical designs. Through a one-dimensional guidance task with 18 participants, the present study compared an array of novel musical strate-
gies with nonmusical strategies based on the same auditory perceptual dimensions. It was observed that the musical strategies elicited higher user experience ratings while affording comparable performance (error, acquisition time, overshoots) to the nonmusical strategies. There were also performance differences based on the auditory dimensions manipulated by the strategies (e.g. pitch, loudness). There is thus preliminary evidence that music warrants more serious consideration as a means to address the issues of pleasantness and user preference in auditory guidance.
Original language | English |
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Title of host publication | Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France) : SMC/JIM/IFC 2022 |
Editors | Romain Michon, Laurent Potter, Yann Orlarey |
Publisher | Sound and Music Computing Network |
Publication date | 2022 |
Pages | 279-286 |
ISBN (Electronic) | 978-2-9584126-0-9 |
DOIs | |
Publication status | Published - 2022 |
Event | 19th Sound and Music Computing Conference, SMC 2022 - Saint-Etienne, France Duration: 5 Jun 2022 → 12 Jun 2022 |
Conference
Conference | 19th Sound and Music Computing Conference, SMC 2022 |
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Country/Territory | France |
City | Saint-Etienne |
Period | 05/06/2022 → 12/06/2022 |
Series | Proceedings of the Sound and Music Computing Conference |
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ISSN | 2518-3672 |
Keywords
- Sonification
- music
- sound
- guidance
- technology
- synthesis
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Dive into the research topics of 'Comparing Sonification Strategies Applied to Musical and Non-Musical Signals for Auditory Guidance Purposes'. Together they form a unique fingerprint.Projects
- 1 Finished
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Embodied Sonification Design for Augmented Feedback Purposes in Sit-to-Stand and Gait Rehabilitation
Kantan, P. R. (PI), Dahl, S. (Supervisor) & Spaich, E. G. (Supervisor)
01/01/2021 → 31/12/2023
Project: PhD Project