Creativity, protest, training: Three modes of independent filmmaking in Denmark

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    Generally unsubsidized filmmakers from Denmark know and appropriate the concept ‘indiefilm’, but the filmmakers relate to the notion in different ways. Some never really uses the concept, some passively acknowledge its existence, while others actively use it to gain a voice. Based on 38 interviews with directors, producers, actors and institutional representatives about the Danish independent film scene this article frames three modes of thought among the independent filmmakers: creative freedom, system protest, and training camps.
    Original languageEnglish
    JournalJournal of Scandinavian Cinema
    Issue number1
    Pages (from-to)53-61
    Number of pages9
    Publication statusPublished - Sept 2016


    • independent film
    • creativity
    • digital innovation
    • film as protest
    • film production
    • Danish film culture

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