“Death Loves To Be Represented”: Death, Dying, and Palliative Care in Popular Culture

Michael Hviid Jacobsen, Adriana Teodorescu

Research output: Contribution to book/anthology/report/conference proceedingBook chapterResearchpeer-review

Abstract

Addressing the apparent paradox where death is deemed repugnant yet simultaneously sought after through images and stories, this chapter provides an overview of the cultural, social, and aesthetic logics, mechanisms, and social implications of representing death in popular culture. The first two sections delve into theoretical and historical issues, discussing how the disappearance of death in the last century is challenged by contemporary Western popular culture that places death at the core of its commercial strategies. The chapter argues that representing death in popular culture extends beyond selling and entertainment and can have various functions, including education and challenging stereotypical, narrow, and outdated perspectives on death. The subsequent sections analyze certain features of death representation in relation to literature and movies. In conclusion, the chapter advocates for further research into the meanings and roles of death in popular culture, including in relation to communication skills concerning health, well-being, and mortality.

Original languageEnglish
Title of host publicationThe Routledge Handbook of Health Communication and Popular Culture
EditorsChristina S. Beck
Number of pages14
Place of PublicationNew York
PublisherRoutledge
Publication date23 Dec 2024
Edition1
Pages113-126
Chapter9
ISBN (Print)978-1-032-5618-4
ISBN (Electronic)9781040266199
DOIs
Publication statusPublished - 23 Dec 2024

Bibliographical note

Publisher Copyright:
© 2025 selection and editorial matter, Christina S. Beck; individual chapters, the contributors. All rights reserved.

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