Facial expression and vocal pitch height: Evidence of an intermodal association.

David Huron, Sofia Dahl, Randolph Johnson

    Research output: Contribution to journalJournal articleResearchpeer-review

    177 Downloads (Pure)

    Abstract

    Forty-four participants were asked to sing moderate, high, and low  pitches while their faces were photographed. In a two-alternative forced choice task,  independent judges selected the high-pitch faces as more friendly than the low-pitch  faces. When photographs were cropped to show only the eye region, judges still rated the high-pitch faces friendlier than the low-pitch faces. These results are consistent with prior research showing that vocal pitch height is used to signal aggression (low pitch) or appeasement (high pitch). An analysis of the facial features shows a strong
    correlation between eyebrow position and sung pitch—consistent with the role of eyebrows in signaling aggression and appeasement. Overall, the results are consistent with an inter-modal linkage between vocal and facial expressions.

    Original languageEnglish
    JournalEmpirical Musicology Review
    Volume4
    Issue number3
    Pages (from-to)93-100
    Number of pages8
    ISSN1559-5749
    Publication statusPublished - 2009

    Fingerprint

    Eyebrows
    Facial Expression
    Aggression
    Research

    Cite this

    @article{b27899809eb911deb96d000ea68e967b,
    title = "Facial expression and vocal pitch height: Evidence of an intermodal association.",
    abstract = "Forty-four participants were asked to sing moderate, high, and low  pitches while their faces were photographed. In a two-alternative forced choice task,  independent judges selected the high-pitch faces as more friendly than the low-pitch  faces. When photographs were cropped to show only the eye region, judges still rated the high-pitch faces friendlier than the low-pitch faces. These results are consistent with prior research showing that vocal pitch height is used to signal aggression (low pitch) or appeasement (high pitch). An analysis of the facial features shows a strong correlation between eyebrow position and sung pitch—consistent with the role of eyebrows in signaling aggression and appeasement. Overall, the results are consistent with an inter-modal linkage between vocal and facial expressions.",
    author = "David Huron and Sofia Dahl and Randolph Johnson",
    year = "2009",
    language = "English",
    volume = "4",
    pages = "93--100",
    journal = "Empirical Musicology Review",
    issn = "1559-5749",
    publisher = "Ohio State University Libraries",
    number = "3",

    }

    Facial expression and vocal pitch height: Evidence of an intermodal association. / Huron, David; Dahl, Sofia; Johnson, Randolph.

    In: Empirical Musicology Review, Vol. 4, No. 3, 2009, p. 93-100.

    Research output: Contribution to journalJournal articleResearchpeer-review

    TY - JOUR

    T1 - Facial expression and vocal pitch height: Evidence of an intermodal association.

    AU - Huron, David

    AU - Dahl, Sofia

    AU - Johnson, Randolph

    PY - 2009

    Y1 - 2009

    N2 - Forty-four participants were asked to sing moderate, high, and low  pitches while their faces were photographed. In a two-alternative forced choice task,  independent judges selected the high-pitch faces as more friendly than the low-pitch  faces. When photographs were cropped to show only the eye region, judges still rated the high-pitch faces friendlier than the low-pitch faces. These results are consistent with prior research showing that vocal pitch height is used to signal aggression (low pitch) or appeasement (high pitch). An analysis of the facial features shows a strong correlation between eyebrow position and sung pitch—consistent with the role of eyebrows in signaling aggression and appeasement. Overall, the results are consistent with an inter-modal linkage between vocal and facial expressions.

    AB - Forty-four participants were asked to sing moderate, high, and low  pitches while their faces were photographed. In a two-alternative forced choice task,  independent judges selected the high-pitch faces as more friendly than the low-pitch  faces. When photographs were cropped to show only the eye region, judges still rated the high-pitch faces friendlier than the low-pitch faces. These results are consistent with prior research showing that vocal pitch height is used to signal aggression (low pitch) or appeasement (high pitch). An analysis of the facial features shows a strong correlation between eyebrow position and sung pitch—consistent with the role of eyebrows in signaling aggression and appeasement. Overall, the results are consistent with an inter-modal linkage between vocal and facial expressions.

    M3 - Journal article

    VL - 4

    SP - 93

    EP - 100

    JO - Empirical Musicology Review

    JF - Empirical Musicology Review

    SN - 1559-5749

    IS - 3

    ER -