Glocal perspectives on Danish television series: Contemporary threats and opportunities for public service drama production

Research output: Contribution to conference without publisher/journalPaper without publisher/journalResearch

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Abstract

Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).
Original languageEnglish
Publication date7 Jun 2018
Number of pages9
Publication statusPublished - 7 Jun 2018
EventTransnational television drama - Aarhus University, Aarhus, Denmark
Duration: 6 Jun 20188 Jun 2018

Conference

ConferenceTransnational television drama
LocationAarhus University
CountryDenmark
CityAarhus
Period06/06/201808/06/2018

Keywords

    Cite this

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    title = "Glocal perspectives on Danish television series: Contemporary threats and opportunities for public service drama production",
    abstract = "Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).",
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    Glocal perspectives on Danish television series : Contemporary threats and opportunities for public service drama production. / Hansen, Kim Toft.

    2018. Paper presented at Transnational television drama, Aarhus, Denmark.

    Research output: Contribution to conference without publisher/journalPaper without publisher/journalResearch

    TY - CONF

    T1 - Glocal perspectives on Danish television series

    T2 - Contemporary threats and opportunities for public service drama production

    AU - Hansen, Kim Toft

    PY - 2018/6/7

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    N2 - Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).

    AB - Two interwoven and increasing tendencies characterise the development of Danish television drama during the past two decades. On the one hand, the financial composition and the narrative strategies of the dramas have become explicitly transnational. On the other hand, local municipal administrations and local funding opportunities have shown a growing attention towards the local impact of co-funding television drama productions. As a result, the financial composition of television drama funding has become exceedingly complex. One way to describe contemporary television drama funding models is by way of Roland Robertson’s notion of ‘glocalisation’. Back to back, contemporary television funding schemes comprise of local and transnational institutions of various kinds going from small local industrial partners to larger supranational framework programmes. In order to analyse the financial complexity of commercial public service drama, I will give short representative analysis of what was dubbed ‘the TV war’: the broadcast of the commercial PSB drama Greyzone (TV 2 2018-) and the ‘traditional’ PSB drama Liberty (DR 2018).

    KW - Television studies

    KW - funding schemes

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    M3 - Paper without publisher/journal

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