Abstract
The no-input mixer is an appealing instrument for practitioners seeking a constant negotiation of their musical desires with the instrument's complex agency and affordances. Offering a simple setup, a re-invention of a traditional instrument, it resignifies an utilitaristic control space to a more obscure and surprising field of exploration, a fertile ground for artistic practices and languages to emerge. In the context of musicking with feedback instruments, i.e. their design, performance and experimentation, this project proposes a new hybrid device: an analog no-input mixer embedding a digitally controllable interface, introducing previously impossible interaction and mapping techniques (from storing, recalling, interpolating and sequencing of control points, to semi-automatic audio-driven mapping devices and agents), to evaluate their affordances on musical practices with the instrument and to cultivate the opportunity for novel languages and practices to emerge from them.
Original language | English |
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Title of host publication | Proceedings of the 19th International Audio Mostly Conference : Explorations in Sonic Cultures |
Editors | Luca Andrea Ludovico, Davide Andrea Mauro |
Number of pages | 15 |
Publisher | Association for Computing Machinery (ACM) |
Publication date | 18 Sept 2024 |
Pages | 22-36 |
ISBN (Electronic) | 9798400709685 |
DOIs | |
Publication status | Published - 18 Sept 2024 |
Event | 19th International Audio Mostly Conference, Audio Mostly 2024 - Milan, Italy Duration: 18 Sept 2024 → 20 Sept 2024 |
Conference
Conference | 19th International Audio Mostly Conference, Audio Mostly 2024 |
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Country/Territory | Italy |
City | Milan |
Period | 18/09/2024 → 20/09/2024 |
Sponsor | AudioModeling, Orastron |
Series | ACM International Conference Proceeding Series |
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Bibliographical note
Publisher Copyright:© 2024 Owner/Author.
Keywords
- digital control
- hybrid instrument
- no-input mixer
- self-resonating vibrotactile instrument