No Strings Attached: Force and Vibrotactile Feedback in a Virtual Guitar Simulation

Andrea Passalenti; Razvan Paisa; Niels Christian Nilsson; Nikolaj Schwab Andersson; Federico Fontana; Rolf Nordahl; Stefania Serafin

No Strings Attached: Force and Vibrotactile Feedback in a Virtual Guitar Simulation

Andrea Passalenti, Razvan Paisa, Niels Christian Nilsson, Nikolaj Schwab Andersson, Federico Fontana, Rolf Nordahl, Stefania Serafin

Research output: Contribution to book/anthology/report/conference proceeding › Article in proceeding › Research › peer-review

Abstract

The poster describes a multisensory simulation of plucking guitar strings in virtual reality and a user study evaluating the simulation. Auditory feedback is generated by a physics-based simulation of guitar strings, and haptic feedback is provided by a combination of high fidelity vibrotactile actuators and a Phantom Omni. The study compared four conditions: No haptic feedback, vibrotactile feedback, force feedback, and a combination of force and vibrotactile feedback. The results indicate that the combination of vibrotactile and force feedback elicits the most realistic experience, and during this condition, participants were less likely to inadvertently hit strings. Notably, no significant differences were found between the conditions involving either vibrotactile or force feedback.

Original language	English
Title of host publication	Proceedings of the 16th Sound and Music Computing Conference
Publisher	Sound and Music Computing Network
Publication date	2019
Pages	210-216
ISBN (Electronic)	978-84-09-08518-7
Publication status	Published - 2019
Event	16th Sound and music computing conference - University of Malaga (UMA). , Malaga, Spain Duration: 28 May 2019 → 31 May 2019 http://smc2019.uma.es/index.html

Conference

Conference	16th Sound and music computing conference
Location	University of Malaga (UMA).
Country/Territory	Spain
City	Malaga
Period	28/05/2019 → 31/05/2019
Internet address	http://smc2019.uma.es/index.html

Series	Proceedings of the Sound and Music Computing Conference
ISSN	2518-3672

AUB Link

Search for the material in Aalborg University Library's search engine

Cite this

@inproceedings{b2172e6ecd3a4d7db3902983fdc70f2d,

title = "No Strings Attached: Force and Vibrotactile Feedback in a Virtual Guitar Simulation",

abstract = "The poster describes a multisensory simulation of plucking guitar strings in virtual reality and a user study evaluating the simulation. Auditory feedback is generated by a physics-based simulation of guitar strings, and haptic feedback is provided by a combination of high fidelity vibrotactile actuators and a Phantom Omni. The study compared four conditions: No haptic feedback, vibrotactile feedback, force feedback, and a combination of force and vibrotactile feedback. The results indicate that the combination of vibrotactile and force feedback elicits the most realistic experience, and during this condition, participants were less likely to inadvertently hit strings. Notably, no significant differences were found between the conditions involving either vibrotactile or force feedback.",

author = "Andrea Passalenti and Razvan Paisa and Nilsson, {Niels Christian} and Andersson, {Nikolaj Schwab} and Federico Fontana and Rolf Nordahl and Stefania Serafin",

year = "2019",

language = "English",

series = "Proceedings of the Sound and Music Computing Conference",

publisher = "Sound and Music Computing Network",

pages = "210--216",

booktitle = "Proceedings of the 16th Sound and Music Computing Conference",

note = "16th Sound and music computing conference, SMC2019 ; Conference date: 28-05-2019 Through 31-05-2019",

url = "http://smc2019.uma.es/index.html",

}

Passalenti, A, Paisa, R , Nilsson, NC, Andersson, NS, Fontana, F, Nordahl, R & Serafin, S 2019, No Strings Attached: Force and Vibrotactile Feedback in a Virtual Guitar Simulation. in Proceedings of the 16th Sound and Music Computing Conference. Sound and Music Computing Network, Proceedings of the Sound and Music Computing Conference, pp. 210-216, 16th Sound and music computing conference, Malaga, Spain, 28/05/2019.

No Strings Attached: Force and Vibrotactile Feedback in a Virtual Guitar Simulation. / Passalenti, Andrea; Paisa, Razvan ; Nilsson, Niels Christian et al.
Proceedings of the 16th Sound and Music Computing Conference. Sound and Music Computing Network, 2019. p. 210-216 (Proceedings of the Sound and Music Computing Conference).

Research output: Contribution to book/anthology/report/conference proceeding › Article in proceeding › Research › peer-review

TY - GEN

T1 - No Strings Attached

T2 - 16th Sound and music computing conference

AU - Passalenti, Andrea

AU - Paisa, Razvan

AU - Nilsson, Niels Christian

AU - Andersson, Nikolaj Schwab

AU - Fontana, Federico

AU - Nordahl, Rolf

AU - Serafin, Stefania

PY - 2019

Y1 - 2019

N2 - The poster describes a multisensory simulation of plucking guitar strings in virtual reality and a user study evaluating the simulation. Auditory feedback is generated by a physics-based simulation of guitar strings, and haptic feedback is provided by a combination of high fidelity vibrotactile actuators and a Phantom Omni. The study compared four conditions: No haptic feedback, vibrotactile feedback, force feedback, and a combination of force and vibrotactile feedback. The results indicate that the combination of vibrotactile and force feedback elicits the most realistic experience, and during this condition, participants were less likely to inadvertently hit strings. Notably, no significant differences were found between the conditions involving either vibrotactile or force feedback.

AB - The poster describes a multisensory simulation of plucking guitar strings in virtual reality and a user study evaluating the simulation. Auditory feedback is generated by a physics-based simulation of guitar strings, and haptic feedback is provided by a combination of high fidelity vibrotactile actuators and a Phantom Omni. The study compared four conditions: No haptic feedback, vibrotactile feedback, force feedback, and a combination of force and vibrotactile feedback. The results indicate that the combination of vibrotactile and force feedback elicits the most realistic experience, and during this condition, participants were less likely to inadvertently hit strings. Notably, no significant differences were found between the conditions involving either vibrotactile or force feedback.

UR - http://smc2019.uma.es/docs/SMC2019_Proceedings.pdf

M3 - Article in proceeding

T3 - Proceedings of the Sound and Music Computing Conference

SP - 210

EP - 216

BT - Proceedings of the 16th Sound and Music Computing Conference

PB - Sound and Music Computing Network

Y2 - 28 May 2019 through 31 May 2019

ER -

No Strings Attached: Force and Vibrotactile Feedback in a Virtual Guitar Simulation

Abstract

Conference

AUB Link

Other files and links

Fingerprint

Cite this