Abstract
This is a self-reflective case study based on the development of the Graphic Novel: “On a bridge in Berlin.” The GN will be used as an introduction to the history of architecture as a part of the curriculum in Architecture and Design at Aalborg University, and as a more broadly introduction to an understanding of Europe’s architectural history. It will also expand my artistic research on how this GN can reach a specific target group as architecture and design students.
The structure of the GN is a narrative which is comparative across the chronological time and style history. It is a science fiction that jumps in time and place: it begins with Martin Heidegger´s quotation “The Bridge gathers to itself in its own way earth and sky, divinities and mortals”, and the bridge is a state of mind, a chronotope, a portal in time between past, present, and future.
The methodological approach is based on the French philosopher Gaston Bachelard, which states that poetry appears as a phenomenon of freedom, and poets, painters and artists are born as “phenomenologists.”
It is the story of the researcher’s and artist’s own reflective and interpretive strategies for authentic, first-person research based on Bachelard and Heidegger. This GN investigates how architecture changes our cities and cultural identity. It merges different narrative time layers as: childhood memories, dreams, hallucinations, fiction, past, present, and future.
The findings of this paper explains why a cross disciplinary approach is necessary to show that architecture, art, poetry, culture, technology and personal experience create an understanding of the zeitgeist of a specific time period and architectural style, and why the GN is a perfect medium for this investigation.
The structure of the GN is a narrative which is comparative across the chronological time and style history. It is a science fiction that jumps in time and place: it begins with Martin Heidegger´s quotation “The Bridge gathers to itself in its own way earth and sky, divinities and mortals”, and the bridge is a state of mind, a chronotope, a portal in time between past, present, and future.
The methodological approach is based on the French philosopher Gaston Bachelard, which states that poetry appears as a phenomenon of freedom, and poets, painters and artists are born as “phenomenologists.”
It is the story of the researcher’s and artist’s own reflective and interpretive strategies for authentic, first-person research based on Bachelard and Heidegger. This GN investigates how architecture changes our cities and cultural identity. It merges different narrative time layers as: childhood memories, dreams, hallucinations, fiction, past, present, and future.
The findings of this paper explains why a cross disciplinary approach is necessary to show that architecture, art, poetry, culture, technology and personal experience create an understanding of the zeitgeist of a specific time period and architectural style, and why the GN is a perfect medium for this investigation.
Translated title of the contribution | "On a bridge in Berlin": A self-reflective case study on a work in progress |
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Original language | English |
Title of host publication | 2nd Global Conference on Graphic Novels : second world conference on graphic novels in Oxford |
Publisher | Inter-Disciplinary Press |
Publication date | 2013 |
Pages | 5 |
Publication status | Published - 2013 |
Event | 2nd Global Conference: The Graphic Novel (2013) - Oxford, United Kingdom Duration: 22 Sept 2013 → 24 Sept 2013 |
Conference
Conference | 2nd Global Conference: The Graphic Novel (2013) |
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Country/Territory | United Kingdom |
City | Oxford |
Period | 22/09/2013 → 24/09/2013 |