Redesigning the Way We Listen: Curating Responsive Sound Interfaces in Transdisciplinary Domains

Morten Søndergaard

doi:10.1145/2636879.2636905

Redesigning the Way We Listen: Curating Responsive Sound Interfaces in Transdisciplinary Domains

Research output: Contribution to book/anthology/report/conference proceeding › Article in proceeding › Research › peer-review

2 Citations (Scopus)

Abstract

This paper is based on a research project-in-progress investigating curatorial practice as methodology for creating responsive interfaces to sound art practices. Sound art is a transdisciplinary practice. As such, it creates new domains that may be used for redesign-purposes. Not only do experiences of sound alter; the way we listen to sound is transforming as well. Thus, the paper analyses and discusses two responsive sound interfaces and claim that curating as a transdisciplinary practice may frame what is termed in the paper as a domain-game redesigning the way the audience listens to and uses sound.

Original language	English
Title of host publication	Proceedings of the 9th Audio Mostly : A Conference on Interaction With Sound
Editors	Mark Grimshaw
Number of pages	6
Place of Publication	New York
Publisher	Association for Computing Machinery
Publication date	30 Sept 2014
Article number	25
ISBN (Electronic)	978-1-4503-3032-9
DOIs	https://doi.org/10.1145/2636879.2636905
Publication status	Published - 30 Sept 2014
Event	Audio Mostly 2014 - Musikkens Hus, Aalborg, Denmark Duration: 1 Oct 2014 → 3 Oct 2014 Conference number: 9

Conference

Conference	Audio Mostly 2014
Number	9
Location	Musikkens Hus
Country/Territory	Denmark
City	Aalborg
Period	01/10/2014 → 03/10/2014

Series	ACM International Conference Proceedings Series
Number	955
Volume	9

Access to Document

10.1145/2636879.2636905

http://www.audiomostly.com

AUB Link

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Cite this

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title = "Redesigning the Way We Listen: Curating Responsive Sound Interfaces in Transdisciplinary Domains",

abstract = "This paper is based on a research project-in-progress investigating curatorial practice as methodology for creating responsive interfaces to sound art practices. Sound art is a transdisciplinary practice. As such, it creates new domains that may be used for redesign-purposes. Not only do experiences of sound alter; the way we listen to sound is transforming as well. Thus, the paper analyses and discusses two responsive sound interfaces and claim that curating as a transdisciplinary practice may frame what is termed in the paper as a domain-game redesigning the way the audience listens to and uses sound. ",

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Søndergaard, M 2014, Redesigning the Way We Listen: Curating Responsive Sound Interfaces in Transdisciplinary Domains. in M Grimshaw (ed.), Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound., 25, Association for Computing Machinery, New York, ACM International Conference Proceedings Series, no. 955, vol. 9, Audio Mostly 2014, Aalborg, Denmark, 01/10/2014. https://doi.org/10.1145/2636879.2636905

Redesigning the Way We Listen: Curating Responsive Sound Interfaces in Transdisciplinary Domains. / Søndergaard, Morten.
Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. ed. / Mark Grimshaw. New York: Association for Computing Machinery, 2014. 25 (ACM International Conference Proceedings Series; No. 955, Vol. 9).

Research output: Contribution to book/anthology/report/conference proceeding › Article in proceeding › Research › peer-review

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