Activities per year
Abstract
This book is about the tiny sounds of the world, and listening to them, the minute signals that are clues to who and where we are. A very small sound, given the context of its history, becomes hugely significant, and even an imagined sound in a picture becomes almost a voice. By speaking a name, we give a person back to the world, and a breath, a sigh, a laugh or a cry need no language. A phoneme is the start of all stories, and were we able to tune ourselves to the subtleties of the natural world, we might share the super-sensitivity of members of the bird and animal kingdom to sense the message in the apparent silence. Mind hears sound when it perceives an image; the book will appeal to sonic and radio practitioners, students of sound, those working in the visual arts, and creative writers.
Original language | English |
---|
Publisher | Palgrave Macmillan |
---|---|
Number of pages | 138 |
ISBN (Print) | 978-981-13-1612-8 |
ISBN (Electronic) | 978-981-13-1613-5 |
DOIs | |
Publication status | Published - 2019 |
Series | Palgrave Studies in Sound |
---|
Bibliographical note
NB. Grimshaw-Aagaard is not the book's editor but the series editor (this system recognises no such thing . . .)Fingerprint
Dive into the research topics of 'Sound at the Edge of Perception: The Aural Minutiae of Sand and other Worldly Murmurings'. Together they form a unique fingerprint.Activities
- 2 Series editor
-
Palgrave Macmillan (Publisher)
Grimshaw-Aagaard, M. N. (Peer reviewer)
2017 → …Activity: Editorial work and peer review › Series editor › Research
-
Palgrave Macmillan (Publisher)
Grimshaw-Aagaard, M. N. (Editor)
2016 → …Activity: Editorial work and peer review › Series editor › Research