Abstract
This article examines the ghost e ects in Dark Night of the Soul pro- duced by the residual media of old sonic technologies. Alfred North Whitehead’s notion of perception in the mode of causal e cacy is used to explain how materiality has agency over the listener.
| Original language | English |
|---|---|
| Journal | Akademisk Kvarter |
| Volume | 16 |
| Pages (from-to) | 22-35 |
| Number of pages | 14 |
| ISSN | 1904-0008 |
| Publication status | Published - 12 Dec 2017 |
Keywords
- Hauntology
- materiality
- sound studies
- affect
- Sparklehorse
- David Lynch
- Danger Mouse