Abstract
This essay draws upon Georges Bataille’s notions of transgression and taboo as co-dependently involved in a play of differences as a framework for discussing agents in the field of fan fiction. More particularly, I outline the way in which fans and authors, or producers of texts, have been conceptualised in ways that recall transgression and taboo.
Original language | English |
---|---|
Journal | Akademisk Kvarter |
Volume | 3 |
Pages (from-to) | 147-158 |
Number of pages | 10 |
ISSN | 1904-0008 |
Publication status | Published - 2011 |