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Abstract

Analyses a number of open works by Swiss composer Max E. Keller from the beginning of the seventies and provides a glmpse of later similar works. Notation and how it contributes to define the form is one of the themes for discussion.
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Detaljer

Analyses a number of open works by Swiss composer Max E. Keller from the beginning of the seventies and provides a glmpse of later similar works. Notation and how it contributes to define the form is one of the themes for discussion.
OriginalsprogTysk
TidsskriftSchweizer Musikzeitung
Volume/Bind20
Tidsskriftsnummer1/2
ISSN1422-4674
StatusUdgivet - 2016
PublikationsartForskning
Peer reviewNej

Bibliografisk note

Publication took place in the internet extension of the journal.

    Forskningsområder

  • improvisierte musik, musikalische analyse, max eugen keller, musikalisches material, musikalische notation, grafische notation, improvisation (musik)

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