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Abstract

Analyses a number of open works by Swiss composer Max E. Keller from the beginning of the seventies and provides a glmpse of later similar works. Notation and how it contributes to define the form is one of the themes for discussion.
Original languageGerman
JournalSchweizer Musikzeitung
Volume20
Issue number1/2
ISSN1422-4674
Publication statusPublished - 2016

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