Abstract
Each performance is based on a simulation context. What happens when the performance is comic? When the simulation itself is a rhetorical tool that we accept as given? To simulate the open simulation is the paradoxical target in each comedy.
| Translated title of the contribution | The comic simulation |
|---|---|
| Original language | Italian |
| Journal | Porta di Massa. Laboratorio autogestito di filosofia |
| Issue number | 2 |
| Pages (from-to) | 37-39 |
| Number of pages | 3 |
| Publication status | Published - 1996 |
Keywords
- humour, comedy