Abstract
This paper explores how social media becomes a part of integrated marketing communications of festival organizations. The purpose of this paper is to conceptualize the co-creation of festival experiences online by comparing managerial strategies and communicative patterns of three large Scandinavian music festivals: Storsjöyran, Way Out West (Sweden) and Roskilde Festival (Denmark). The theoretical point of departure is taken in the literature on consumer-producer co-creation, originating from recent conceptualisatons of the service-dominant logic and a tribal perspective on consumption. Based on the empirical findings, we propose an analytical framework to improve our understanding of the management of social media communications, offering three distinct value co-creation strategies in a festival context.
Originalsprog | Engelsk |
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Tidsskrift | Event Management |
Vol/bind | 19 |
Udgave nummer | 3 |
Sider (fra-til) | 331-348 |
Antal sider | 17 |
ISSN | 1525-9951 |
DOI | |
Status | Udgivet - 2015 |