The Bench: Exploring exclusionary design through arts practices

This paper takes point of departure in ongoing research into exclusionary design. Through design interventions such as leaning benches, steel spikes, water sprinklers, and barbed wire socially vulnerable and homeless people are kept from occupying and staying in public spaces in the cities around the world. Such exclusion by design contributes to “atmospheres of rejection” and affords new patterns of human mobility in the city. As the leaning (or otherwise modified) bench is one of the most predominant dark design interventions, this paper will single out the bench as one exemplary artefact to be explored. The bench carries both symbolic meaning, as well as it is a material artefact affording rest and occupancy. The design of benches and the positioning (or removal) of them are micro-installations that together with other urban furniture, makes-up the urban spaces as sites of congregation, exchange, and experience. The paper explores the bench on a background of three key terms: affordance, atmosphere, and material interpellation. The paper then turns to art practices in public spaces and illustrate how the socio-cultural significance of benches has been made visible by art interventions such as the “socially modified” benches by the artist Jeppe Hein. In the conclusion the paper draws out lines of enquiry for further research.